This programme of concertos and transcriptions explores the full emotional gamut of baroque music. Young recorder-player Lucie Horsch is already in demand internationally as a soloist and, with a critically-acclaimed solo album to her name, has launched what promises to be a distinguished career.
Now in his 12th season as AAM’s music director, harpsichordist Richard Egarr still continues to surprise and excite audiences with his technique and his instinctive musicality – here he demonstrates both, in two of Bach’s finest keyboard concertos.
Lucie Horsch, recorder Richard Egarr, harpsichord/director
Vivaldi, Concerto for Flautino in C major, Op. 4 No. 11 (arr in G major for Recorder)
Bach, Concerto for Harpsichord No. 3 in D major BWV1054
Sammartini, Recorder Concerto in F major
Bach, ‘Erbame dich’ from St Matthew Passion
Bach, Concerto for Oboe in D minor BWV1059r (arr for Recorder)
Bach, Concerto for Harpsichord No. 7 in G minor BWV1058
Vivaldi, Concerto for Flute in G minor ‘La notte’, Op. 10 No. 2